Acousmodules

SpatStruments

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Win32/Linux

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Space processing

Effects

Sampling

Synthesis

At the begining of the 1980s, the sampler revolutionized the way in which a recorded sound could be associated with its transformations: the two were no longer separated on different media and machines but could be brought together by the same set of gestures to form sound and musical objects responding directly to their hearing.
With certain models like the Ensoniq EPS16/ASR10 it was even possible to control and modulate how each sample was distributed and animated over its eight outputs, allowing to go well beyond what today's panners (and samplers) can still do.
The plugins on this page take up, enrich and extend this principle by closely associating traditional ways of modulating the samples, single or multiple (pitch, playback and loop points, polyphony, etc.) with the spatial mass processing techniques that the Acousmodules have been developing since the mid-2000s.
The result is a set of original instruments, sometimes a little complex, concrete tools for "sono-spatial sculpture". 
What they don't do: distribute a multisampled instrument over the keys of a keyboard and load sample banks to play pitches and chords!

Global downloads

Sampling bundle

All plugins up to 64 channels in VST3 format, for Windows and macOS.
(some of them are not available for Mac, see below)

             Reminder: 64 channels versions are fully compatible with Nodal-61 and Nodal-64C formats.
 

Fast Help pdf

The essential document that describes all the plugins parameters!
It doesn't replace good manuals (that don't exist anyway ...) but should be enough for everyone to use the plugins properly.
To be completed with the documents and videos listed on the Resources page.

 Acousmodules Sampling Fast Help (march 2022 edition)
 
 

+ Configs & Presets

The spatial configs files to be imported/exported in most plugins based on a "3D" graphical channels organization

Spatial Configs - 2026-07  
 

Differences:
There is two kinds of 64 bits plugins: "samplers" and "players". The Samplers can record the plugin's audio inputs, and some of them can also save the samples for later use. They can be considered as "scratchpads" that are always ready to grab the content of a track (or an incoming audio input) and to play with it. On the contrary the Players can load a traditional wave file, or a series of mono or multichannel ones, and when a preset is recalled the corresponding files are automatically loaded (if they are still at the same location). Most of the Samplers can also behave as Players but not the contrary.
Features:
Most of the 64 bits plugins that can be played from incoming MIDI notes share about the same basic features:
- Start, End and Loop settings with crossfade and Alternate mode, these parameters can be controlled and modulated by the internal sources (ADSR, LFO, Random) and by MIDI controllers
- a multimode 2/4 poles filter 
- two ADSR (or only one in some cases)
- one LFO (with frequency up to audio rate) 
- random generator for a selection of parameters
- Polyphonic Aftertouch support (often)
- user selectable polyphony up to 128 voices (but it is advised to keep it low)
What they don't do:
- instruments multi-sampling
- slice sampling (yet)
Precautions:
- the needed RAM can be very important (incoming v2 will resolve this problem soon...)
- with the "players" very long loading time can happen if long audio files (more than a few minutes) are involved
Big thanks to Elena Design for having programmed the Sampling suite modules for Synthedit without whom these plugins may not exist! From summer 2026, some plugins will use her Sampling v2 Library which provides a much better RAM usage.

S P A T I A L   G E S T U R E S

Based on the SpatLayers plugin and able to load stereo samples, it represents the continuation and the improvement of the previous Win32 samplers versions.
It is intended to be played with a MIDI keyboard together with 2D/3D controllers, but it will be perfectly adapted to any modern touch control surfaces.
- common sampling and processing features (see above)
- up to 4 height layers with 25 outputs each (among 64), well adapted to hollow spaces like domes
- alternative layers schemes if you need more speakers per layer (up to 64), useful for some acousmoniums with a few elevation speakers
- realtime sample time-stretching +/- 4x (Windows version only)

Known issue: Stretcher doesn't work on Mac
Current build date: 06/03/2022 -
Status:  

2 > 64    

2 > 80  

Polyphonic sample recorder and player with MPE support, for both sample and spatial modulations at the tips of the fingers:
- mono wave files with position and loop points modulations
- 5 or 8 independant polyphony voices (one for each finger ...)
- full Spat3D spatial mass section compatible with any spatial arrangement with up to 64 channels (works best with mesh networks)
Special features:
- per voice Pitch Bend messages control the X position (with scaling to adapt to different controllers's ranges), CC74 the Y position, Channel Pressure the Z position
- Pressure Range, Curve and Inertia settings for Height control
- polyphonic modulation according to the center position in space (564 version)
- per voice XYZ modulations of the Pitch, the Filter frequency, the Level and the LFO rate + Loop points in the 864 version
- a separated channel or a selected finger can be selected for common modulations (564 version)
- 848L and 864 versions: MPE keyboard visualization, MPE mode can be turned off to be used with standard keyboards
The playability of these plugins depends a lot on the MPE controller hardware and its settings, notably their ability to allow the fingers to a wide range of X and Y movements. Actually the best spatial control is obtained with the Sensel Morph thanks to its free continuous surface and high pressure sensitivity. 
The layered based 48 channels version is especially useful for periphonic spatial layouts (cinema and domes).

Known issue: 864 version Pitch Bend is always active; possible short sliding spatial position on Notes On
Current build date: 11/01/2023
Status:

1 (8) > 64    

1 (8) > 80  

It can be considered like a "3D" version of the old PenSampler but it is a lot more: it can operate either traditionaly from the notes coming from a MIDI keyboard or from continuous controllers generated by the touch and the movements on a graphic tablet or other pressure sensitive pads.
It has all the samplers common features plus:
- trigger modes : Key, Touch, Move
- Polyphonic Aftertouch for Loop, Pitch, Filter, Level and LFO Rate modulations
- the spatial position can be used as a modulation source and modulations sources can be used to modulate the spatial position
- Center Area width modulation source with variable shape
- 64 channels delay/resonator

See also the VST2 32 bits PenSampler which provides a different efficiency with graphic tablet gestures.
 

To do: FM generator, sample time-stretching
Current build date: 04/02/2022
Status:  

1 > 64  

It has all the features of the above BrushSampler 64 but can load up to four samples into layers that can be crossfaded polyphonically.
Since the four samples can have a different length, since there is no sample time stretching and since the playback points are always relative to the first sample layer, it is possible to adjust its length to match the shorter file to avoid to have silences at the end ...

Current build date: 04/02/2022 - 08/09/2026
Status:  

4 > 64    

4 > 80  

Eight channels sampler.
Like the corresponding ScaleMass plugins, the name "scale" come from their ability to grow/shrink in the three dimensions a spatial shape that has been defined freely.
Together with the "Flocking" parameters it allows to make organic moving sounds easily.
- records up to 8 channels input
- Polyphonic Aftertouch modulations (Loop points, Pitch, Filter, LFO) 

Current build date: 25/02/2022
Status:  

8 > 64  

It is based on the SpatMass plugin and can record and play up to 16 channels sounds:
- up to 64 outputs
- spatial processing of up to 16 input channels as a group
- global group control and modulations
- Polyphonic Aftertouch modulations (Loop points, Pitch, Filter, LFO)
- to save visual space and resources the waveform view can show only the mixed channels or a selected one
- Motion mode: the first two file's channels are sent to the 8/16 mass inputs according to the played voices, polyphony must be set to 8

Known issue: in REC mode connecting or removing a patch cable ERASES the sample!
Current build date: 18/07/2022
Status:  

8 / 16 > 64    

 8 > 76  

S t r e t c h S a m p l e r

Recreation from scratch from the MultiStretcher Win32 plugins, it presents some nice improvements ... and also, as usual, some different qualities that make the old one still interesting to have.
The principle is the same: 16 shifting time windows that can simulate a time-stretching processing, each one being part of a spatial group that can be organized and transformed on a Shape base.
- the "Sampler" can sample its input up to 25", the "Player" version loads wave files that can be a few minutes long
- 16 "pearls" to form a "spatial necklace"
- 4 basic spatial 3D Shapes that can be morphed and transformed in an up to 64 channels space
- deactivating some Pearls can result in interesting spatial/rythmic patterns
- spatial Flocking when moving the "necklace"
- the Rate/Size of the "pearls" can vary from nearly continuous to
- the play position through the sample can follow a Ramp (with ultra long Time), a LFO and Auxiliary modulators
- 2D Mouse Gesture controller that can be mapped to Pitch, Rate, Speed and time Position of the "pearls" as well to spatial parameters
- Instant Gesture: replay the mouse movement with variable length, speed, direction and amplitude
- individual modulation of the Pitch and the Rate of the "pearls" according to their spatial positions
- 3 auxiliary LFO modulators that can be patch to most spatial and sampler parameters
- 64 channels DecoRez section for multidelay and resonance effects

Known issues: in REC mode connecting or removing a patch cable ERASES the sample!
Current build date: 31/03/2022
Status: 

1 (16) > 64    

1 (16) > 76  

The spatial octophonic input is more dedicated to "standard" microphones arragements, including compact octophonic ones, but it can also work well with anything else ;-)
Both versions:
- 6 Preset Shapes (Line X, Y, Z, Circle, Cube, 45° Cube for 2nd order microphones) to be easily morphed with a dedicated Polar controller
- each Shape can be edited
- 1 multimode filter, 1 ADSR and 1 LFO
- Polyphonic Aftertouch support
Sampler version:
- in Layer Mode the 8 sample channels can be crossfaded
Player version:
- loads 8 mono files, if possible about the same durations
- Balance gesture pad
- Micro Gestures to automate individually the levels and the pitch of each input

Current build date: 26/02/2022
Status:

8 > 64  

 S P A T I A L   A N I M A T I O N S

A n i m a P l a y e r

Octophonic wave player with the spatial animations of the AnimaSpat...
- the 8 mono wave players can be used with the same sound, but also with totally different ones
- 8 multimode filters
- the pitch, the filters cutoff and the ADSR trigger rate of the 8 sources can be modulated by the spatial position of their corresponding outputs, thus associating these parameters to their spatial mass "polyphonically".
Note that the 848L version uses the Layers approach to control the elevation that makes it easier and more precise with irregular and periphonic speakers arrangements.

Known issues: the wave files must have the corresponding meta-data to be looped ; copy/paste the files path doesn't work on MacOS ; some values are reinitialized when connecting / deconnecting a patch wire.
Current build date: 06/03/2022
Status:

8 > 64    

A n i m a S a m p l e r

Differences from the AnimaPlayer above:
- records a mono input
- plays polyphonically from MIDI notes
- sample start and loop points modulations
- two envelopes and one LFO with modulations
- AutoTrigger mode
- full AnimaSpat spatial modulations!
It is more oriented to synthesis-like sound transformations on relatively short samples, otherwise the spatial section is exactly the same as the player (understand: as complex to use ...).

Known issues: connecting or removing a Pach cable reinitialize the sound!
Current build date: 26/02/2022
Status:  

1 (8) > 64  

P a t h S a m p l e r   6 4

At the opposite of the free gestures of the BrushSampler, both for the spatial position as the sampling parameters, this one is based on several paths that you can then deform and explore dynamically.
- up to 64 outputs
- 16 nodes 3D spatial path with Interpolation curve, Amplitude, Shift and Flip settings
- 5 free points Shapers that control the Sample Start, Loop Start, Loop End, Pitch and Filter
- spatial path realtime morphing
- the Sample position, the Pitch and the filter can also be controlled by the X/Y/Z sound's position along the spatial path
- three paths exploration modes : manual, AR triggered, Cycler
- mini Vaporizer mode

Current build date: 13/04/2022
Status:  

1 > 64  

M U L T I   S A M P L E S

48 independant sample players which are made to respond to a multitouch control surface like the Sensel Morph, the Erae Touch or grid controllers and keyboards that support Polyphonic Aftertouch (see also below the versions for special controllers):
- Velocity, PolyAftertouch or Controller mode can be selected for each pad (the controller CC must be assigned to the pressure touch of the control surface)
- the Sampler version can record all the armed slots at once, useful with a multitrack input; it can also record each pad sequentially (mono input), each sample duration is limited to 25"
- separate start / end loop for each sample player + global CC controls
- +/- 5 octave Pitch setting and variation
- automatic backward playback when the End is before the Start
- the sample pads can be shown/hidden to reflect a corresponding spatial arrangement
- mini MousePad input with 2D gestures (Winsdows only)
- Poly Aftertouch input range setting and curve to adapt to not ideal controllers ...

Known issues: Mac MousePad doesn' work
Current build date: 13/05/2022 - 09/09/2026
Status:

48 > 48  

 80 > 80    

Up to 24 or 32 samples can be placed freely in the 3D space that can be explored with a 1 to 8 (16) channels free shape "microphone". This shape can be arranged to match a specific speakers layout or to animate a multichannel sound from the inside. It can also be used with a binaural converter (with the "sphere" shape) to make a 6DOF playground ;-)
- 24 / 32 sample players (RAM) with start point, loop and pitch settings
- global Pitch and Loop settings that control all the samples at once
- SpatMass type spatial shapes with four Modulators

Known issues: be cautious with the overall samples length
To do: visual position of Loop Start and End
Current build date: 10/12/2021
Status:

24 / 32 > 8 / 16  

They uses the same principle as the StretchSampler but apply it to a multichannel sound, or better, with different sounds for each channel.
In this case (Sampler version) you can feed it with a multitrack that has beed prepared in your DAW, or you can record each channel one by one or sequentially.
In the player version the Global Duration can be set manually and the play position adjusted for each sample according to its relative length.

Known issues: in the Sampler version connecting or removing a patch cable ERASES the sample!
Current build date: 10/04/2022
Status: /

16 > 64  

The 16 channels version is mostly a ConcatPlayer without the spatial mass section, while the 32 channels one extend it ... to 32 files / channels. They may be more convenient for further sound processing or special spatialization purposes.
- independant Rate and Pitch settings fot each channel
- can use MIDI notes to move the play position through the time
- internal independant level automation for each file (16 channels version)
Note that in order to preserve the RAM there is currently no waveform view in the 32 channels version.

Current build date: 24/02/2022
Status:

16 / 32 > 64  

Up to 16 stereo files can be played in parallel with the usual sample modulations and synthesis section.

Known issues: long samples need too much RAM!
Current build date: 10/12/2021
Status:

32 > 32  

Play up to 64 or 80 channels wav files, with volume and speed control:
- 8 independant players with continuous loop: free run, no synchro, no tempo!
- each player is controlled with a MIDI CC
- play starts when the CC value is more than "1"
- fixed or variable speed, from "0" to to 10X
- Inertia parameter for very slow speed variation
- Curve parameter for more precision on slow or fast speeds
- global MIDI channel selection
Sounds are loaded in RAM and files are limited to 2 GB.

Known issues: playback is interrupted while a sound is loaded
Current build date: 21/08/2026
Status:

64 > 64    

 80 > 80

Load multichannel files and play them with random parameters.
- 12/8 wave files players, up to 18/36 channels (if there is other channels above they are simply ignored)
- settings for each player: sample Start, Loop Start and Loop End positions, Pitch +/- 5 oct, level +/- 18 dB, amplitude ADSR, Loop direction, crossfade loop, Keyboard range (from 0 to 200 %), external MIDI CC volume control, Lower and Upper notes range, select the channel to view
- pitch and loop points global Randomizer
- AutoTrigger mode with Chaos and Rate modulator, random notes output
- 12/8 channels Levels crossfader, to be used with the integrated LFO or a MIDI controller
Common uses:
- trig each player independantly from a MIDI note, with or without a level control
- trig all the players randomly in a granular way
- configure as 12/8 layers that can be merged and faded with a controller or a LFO
Note: it is safer to use not too long files!

Known issues: long samples need much RAM and can make presets slow to load
Current build date: 18/02/2022
Status:

18 > 18 / 36 > 36  

" G E N E R A T O R S "

In these plugins the samples are not meant to be played from incoming MIDI Notes but are automatically triggered internally or played in continuous.
 

It is a kind os sample mangler and granular processor where each fragment or grain can be sent to a different outputs up to 128!
- processes one input channel or a mono wave file
- variable number of simultaneous fragments (polyphony) up to 128
- two versatile Modulators
- user defined shape modulator
- output mode: Straight (like the old versions) or Panned (smoother but heavier on the resources)
- enhanced Instant Gesture with recording and playback modes
- 64 channels delay + resonator (not in the 128 channels version)
- direct MIDI controllers modulations
- Instant Gesture section to record and play in various ways 2D gestures that can control the sample pitch, the fragments time position, the grain rate and the spatial output
The Player version is based on the sampling engine v2 which support very long samples with contained RAM usage.
The MultiKaleidoPlayer can load four wave files that are played in layers. They can be independantly shifted in time, and they can be crossfaded with the Spatial and the Trigger Modulators as well as the Gesturizer, bringing a new level in multichannel sample mangling.

Current build date: 30/12/2021 - 09/09/2026
Status: 

1 / 4 > 64    

1 > 128    

F o c u s P l a y e r

This member of the "Focus" series generates sounds instead of processing an audio input. It plays simultaneously up to 36 or 64 occurrencies of the same wave file, while their pitch is controlled accordingly to the focus position, size and shape.
Since the pitch modulation range can be extreme and the samples can be also FM modulated by a multiwave oscillator, it can produce very rich sounding spatial textures, that you can sculpt and transform with other plugins of the series like the FocusFilter and the FocusMass.

Known issues: the wave files must have the corresponding meta-data to be looped.
Current build date: 15/01/2022
Status: 

1/64 > 64 

T e x t u r i z e r

Like the FocusPlayer this plugin is based on the multiplication of a single wave file input to compose very dense textures, from chorus-like or freezer effects to dramatic chaotic agitations.
Thanks to its graphical 64x64 matrix, it is rather intuitive to control the huge number of parameter values with only a few controlers and modulations.
The Texturizer is not linked to a spatial representation and works directly at the channels level. All the 64 internal processing chains can be distributed on 64 independant outputs, or aggregated down to, why not, a single one...
Controls matrix:
- sample pitch
- FM amount
- Filter Cutoff
- amplitude
- output channel
Works best with long samples.

Known issues: the wave files must have the corresponding meta-data to be looped ; the plugin or the host can freeze some time when loading a file and connecting the patch cables.
Current build date: 19/02/2021
Status:

1/64 > 64    

S c a t t S a m p l e r

Same principle as the Texturizer, but more adapted to short samples.
It can record its input and the sample start and loop end can be controlled and modulated within the 64 channels matrix:
- sample pitch
- sample and loop start
- sample loop end
- filter cutoff
- output channel

Known issues: connecting or removing a patch cable ERASES the sample!
Current build date: 10/12/2021
Status:

1/64 > 64    

S i m p l e S t r e t c h e r 

Downscaled version of the StretchSampler without the spatialisation, the modulators and the resonator sections, so you can use it with the spatial processor you want.
Nevertheless the integrated Dispatcher allow to spread its 16 processing channels up to 64.

Current build date: 10/12/2021
Status:

16 > 16~64  

O T H E R S

A l e a S a m p l e r

Like the BrushSampler and other similar plugins, it is based on one mono sample but instead of spatializing it, each of its 128 polyphony voices can be dynamically sent to up to 64 outputs.
They can be selected to match a whole space or only a part of it, or they can allow further spatialization with plugins like the SpatMass, a ScaleLine or any other multiple inputs spatial mass processor.
Three playing modes can be combined:
- Keyboard, with Polyphonic Aftertouch for Sample Points modulations, Pitch, Filter, Level and LFO's Rate
- AutoTrigger: generate variable speed "grains" streams
- MousePad: mini version of the FingerSampler

Known issues: Mac version has no keyboard and no MousePad
Current build date: 01/01/2022
Status: 

1 > 64    

1 > 128  

Instead of spatialize the sample with the usual amplitude technique this plugin uses delays and Low-Pass filters together with a multichannel reverberation to "simulate" the source position. But since the "room" where it takes place can be up to 3400 meters wide, and since all the parameters can be controlled by gestures and modulators, it can produce huge animated spatial textures easily.
- up to 10 secondes delay on up to 64 outputs
- delay values are based on the distance between the graphic positions of each output and the "listener"
- the "listener" can be an attractor or an emitter: the delays are the shortest or the longest at its position
- Sample Start and Loop positions can follow the listener
- 3 LFO Modulators

Current build date: 17/05/2022
Status: 

1 > 64    

1 > 76  

Record an up to 16 channels sample and play it through a combination of a 16 channels Pitch Shifter, a wide range 16 channels FM distorsion, a 16 channels multinode FFT filter and a SpatMass section. Each spatial position of the 16 inputs can be linked to and modulate the pitch and the spectrum shifting.
- 16 channels sample recorder
- polyphonic sample player with variable start and loop points, multimode filter, 2 EG, LFO, Poly Aftertouch support etc.
- 8 octaves FFT pîtch shifting
- 0.1Hz to 10 kHz Frequency Modulator
- free shape high quality FFT filters
- Derive and Chaos settings
- up to 64 free positionning outputs
- up to 16 inputs that can be arranged, morphed and animated according to basic 2D and 3D shapes (Sphere, Cube, Lignes, Planes, Chaos)
- Glue and Trail settings for more organic animations
- 3 global Modulators

Known issues: may need some power; in REC mode connecting or removing a patch cable ERASES the sample!
Current build date: 04/05/2022
Status:

1-16 > 64  

Polyphonic sample players with the usual pitch, filter, sample position and loop points modulations and variable rate Trigger mode:
- record up to 64 inputs channels
- load multichannel files with up to 64 channels (not too long!)
- 16 channels version: Polyphonic Aftertouch support. It can also be used with 2nd and 3rd order ambisonic sounds (followed by a decoder): just take care to NOT using the modulations that affect the channels separately ...
- the waveform view can show the mixed recorded channels or a selected one for the multichannel files
- recorded samples can be saved as multichannel wave files (16, 24 or 32 bits)

Known issues: can use a lot of RAM!
Current build date: 26/01/2023
Status:

16>16 / 32>32 / 64>64    

78 > 78  

U n i P l a y e r

An up to 64 or 128 channels audio player.
It can be used as an alternative multichannel file player for modular hosts which do not have this option (like Element or Reflection Pro), but it is also a powerful sample effect since it can vary the play rate continuously from 0 to +/- 20x.
- two modes: forward with variable control curve and bidirectionnal (backward)
- variable Inertia factor
- graphic view of the speed variations in time
- wav files length are limited to 2 GB (less than 4 minutes at 48 kHz / 24 bits)

Current build date:
Status:

< 64  

 < 128  

H A R D W A R E    S P E C I F I C

Special versions of the TouchSampler/Player for Zoom AR-96, Roli LightPad Block and Striso Board controllers.
The Polyphonic Aftertouch sensors of the ARQ-96 are at least average, but together with the gyroscope it makes globally an interesting way to play samples and space.
On the other hand the pressure of the LightPad is better but they need a huge force, especially the first version, and there is no movement sensor.
By contrast the Striso Board with its 61 small buttons and 3D gyroscope is by far the more sensitive and powerful controller (also the most expensive) and it can be used for a wide range of spatial arrangements.
In the three plugins the disposition of the sample modules follows more or less the controllers' pads and may also reflect, ar least partially, the spatial arrangement of the speakers. In any case it is their first purpose ...
See also ExquisSampler-N61 in the Regular section.

Current build date: 07/02/2022
Status:  

 25>25 / 32>32 / 61>61
     

 Comparative of the main features

record / save inputs

load files

play # samples

engine

spatial
mode

spatial animations

granular like processing

FX

gestures

keyboard

polyphony

other controllers

AleaSampler

1 / S

1 mono

1

2

direct

auto-trigger

Mousepad

+ PolyAT

-> 128

(+ controllers)

AnimaPlayer

-

1 mono

1

-

mass

multiples

(mouse, controllers)

AnimaSampler

1 / S

1 mono

1

1

mass

multiples

x

(mouse, controllers)

ARQSampler

1/32

 -

32

1

direct

-

Mousepad

Zoom AR-96

BlockPlayer

-

25 mono

25

1

direct

-

Mousepad

Roli Lightpad Block

BrushPlayer

-

4 mono

(4)

1

3D

 auto-trigger, gesture

Del+Rez

+ PolyAT

-> 128

graphic tablet, tactile surfaces, XYZ controllers

BrushSampler

1 / S

1 mono

1

1

3D

 auto-trigger, gesture

Del+Rez

+ PolyAT

-> 128

graphic tablet, tactile surfaces, XYZ controllers

Concatenator

16 / 32 mono

(16/32)

1

direct

x

Rec/Play

controllers

ConcatSampler

16

-

(16)

1

mass

advanced

x

Rec/Play

controllers

ConcatPlayer

-

16 mono

(16)

1

mass

advanced

x

Rec/Play

controllers

FocusPlayer

-

1 mono

1

> 2

(x)

simple

(mouse, controllers)

KaleidoPlayer

-

1 mono

1

2

direct

x

Del+Rez

Rec/Play

(-> 128)

(mouse, controllers)

KaleidoSampler

1 / S

1 mono

1

1

direct

x

Del+Rez

Rec/Play

(-> 128)

(mouse, controllers)

MassSampler

16

1 x 16

1

1

mass

MorphPlayer

-

 8 mono /
1 octo

8

1

mass

x

8

(+ controllers)

MorphSampler

8

1

1

mass

x

8

(+ controllers)

MPESampler

1 / S

1 mono

1

1

3D

-

MPE

5 / 8

MPE controller

MultiKaleidoPlayer

-

4 mono

4

1

direct

x

Del+Rez

Rec/Play

(-> 128)

(mouse, controllers)

MultiPlayer 32

-

16 x 2c

1

1

direct

auto-trigger

x

(+ controllers)

MultiSampler

16/32/64

16/32/64c

1

> 2

direct

auto-trigger

x

16 / 8

(+ controllers)

PathSampler

1 / S

1 mono

1

1

3D

x

auto-trigger

x

1

XYZ controllers

RandomPlayer

12 x 18c
8 x 32c

1

> 2

3D

x

auto-trigger

x

8

RoomSampler

1 / S

1 mono

1

1

3D

x

 Del+Rev

x

-> 128

XYZ controllers

SampleModeler

16

1

1

direct

advanced

SampXPlorer

-

24 / 32 mono

24 / 32

> 2

(mass)

advanced

(mouse, XYZ controllers)

ScaleSampler

8

1 octo

1

1

mass

+ PolyAT

8

XYZ controllers

ScattSampler

1

1

> 2

direct

(x)

x

controllers

SimpleStretcher

1 / S

1

1

direct

x

Rec/Play

(mouse, controllers)

SpatSampler 64L

 1 stereo

1

1

layers

(mouse, controllers)

StretchSampler

1 / S

1 mono

1

1

3D

simple

x

Del+Rez

Rec/Play

XYZ controllers

StrisoSampler

1 / 61

-

61

> 2

direct

Striso board

Texturizer

-

1 mono

1

-

direct

(x)

controllers

TouchPlayer

-

48 mono

48

> 2

direct

Mousepad

+ PolyAT

8

pads, tactile surfaces

TouchSampler

48

-

48

> 2

direct

Mousepad

+ PolyAT

8

pads, tactile surfaces

VaporSampler

1 / S

1 mono

1

1

mass

advanced

auto-trigger

Del+Rez

x

(+ controllers)

Note:
- "engine 1" is based on ED Sampling Modules v1 which can consume a lot of memory but allows crossfade loop, thus these plugins will not be updated to v2
- "engine 2" is a lot more RAM optimized but doesn't allow crossfade loop ...
- "engine > 2" means that the plugin must some day use the v2 engine, but since it will need a long work I don't know when it will be done ;-)